on subjectivity and poetry comps

When poetry competitions print the winning entries it can help to see what judges consider ‘best’ examples of practice. It’s also useful to read about the judging exerience; how they approached the process of sifting through hundreds of entries, created the long list, short list and finally decided the winners. This link offers both from the YorkMix Poetry Competition.   http://www.yorkmix.com/leisure/whats-on-york-poetry-competition-winner/

The winners of the Poetry Business 2012 Book and Pamphlet Competition have also been announced this week. No poems to read but comments from judge Simon Armitage again help to see something of what judges are looking for. http://www.poetrybusiness.co.uk/competition

Of all the arts, poetry suffers from dependency on personal opinion.  I’ve been re-reading Saussure for my phd and reflecting on its application to poetry. In a ‘Course in General Linguistics’, Saussure challenged realism (the world can be known) with linguistic relativism (the world can only be known through the structures of language). Semiotics , the science of signs, was key to Structuralist belief in the possibility of uncovering  multiple ‘truths’ of social reality. Structuralism revealed language as a system of signifiers (the word) and signified (the idea the word conveys) with connections between them cultural and arbitrary rather than innate or fixed. Single meaning is replaced with multiple possibilities for example roses have become associated with cultural images of love, passion, beauty, valentines, romance, gardening etc. None of these describe the flower but are all part of the agreed consensus of meaning around the signifier Rose.

Where a poem emerges from the process of editing an idea, paring down the words to create maximum impact, the intention of the poet can be lost through this system of arbitrary meanings. Barthes in The Author is Dead describes how the writer has no control over the reader’s interpretation. When you let go of a poem, it really is a case of handing it over to the reader to make of it what they will. Poetry competitions demonstrate the power of differential reading so it’s useful to have insights into the processes the judges go through.

Poetry competitions and magazine calls for submission

York Literature Festival, in association with YorkMix, launches its first-ever poetry competition.

First prize: £100 Second Prize: £60 Third Prize: £30. Four commended poets will each win £15. The competition will be judged by award-winning poet Carole Bromley, and prizes will be awarded on Monday, March 18th at the Black Swan pub in York. Check out the rules here

Buxton Poetry Competition 2013 is now open!

Our theme in 2013 is History and Heritage. Poems could reflect your own history, tell the story of a person or event in history or be a much wider interpretation of this challenging theme. Download an entry pack and read winning poems from 2012 here

Indent issue 2

Last weekend for submissions to Indent issue 2; the annual literary print journal based at Staffordshire University’s Creative Writing Department, Stoke-on-Trent. “…we hope for high quality, international examples ( no, specimens) of volcanic prose & scintillating poetry that push the boundaries of what-is-what. Hybrid pieces: very welcome, as too are personal essays, heteroglossic texts that cannot be pinned down in any way.  WE are looking for NEW literatures that challenge the notion of genre. Hybrid and mash-up, blended & cognitive, alert & alternative. ” Go to http://deviljazz.wordpress.com/category/indent/ for more details

Butcher’s Dog

Publishers of poems from writers with distinct voices, go to http://www.butchersdogmagazine.com/2012/10/home.html  for more details. Submit up

  • to 3 unpublished poems in the body of an email to submissions@butchersdogmagazine.com Submissions
  • welcomed from all writers living in the UK particularly those with a connection to Northern England.
  • Next deadline: 1 March 2013 (Issue 2)